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9 janvier 2021 - No Comments!

tyrannie de la minorité tocqueville

This lens is half the weight 20% of the cost and has 90% of its performance. Merci pour ce travail, une bonne base pour pouvoir faire son choix!!! There is some very small lens extension as the lens is zoomed in towards 42mm, about 1/4 inch. Too bad. Very cheap. We count on your support and understanding, stay safe and be healthy. The lens is available as part of a G6 and GF-6 camera kits. The coronavirus crisis has been adversely affecting many businesses and, sad but true, ours is not an exception. In this respect it sits somewhere between the Panasonic pancake zoom lens (14-42mm f/3.5-5.6 OIS PZ) and its predecessors or in other words - it is in the dwarfish league. Build Quality and Handling Il sera aussi totalement silencieux (donc le micro de l'appareil ne captera pas le bruit du moteur), et surtout il a un diaphragme à ouverture continue, ce qui évite des "sautes" de luminosité sur la vidéo. It was the kit lens for the GX1 and a couple of other cameras for a while, and fortunately also available separately. Used wide open at wide angle (14mm @ ƒ/3.5), there's only the slightest amount of corner softness in the extreme corners, a definite improvement over the previous version of the lens. POWER O.I.S. Again, this excellent performance continues all the way to ƒ/16, and then there's only light softness at ƒ/22. Un détail que je n'ai pas regardé en comparant les 2 objectifs, c'est la video. The situation at longer focal lengths is a bit different - in this case, at the maximum relative aperture the image brushes against the usefulness limit. The performance of this lens is hard to believe. I bought this with the Panasonic GF6 as its kit lens. It is as excellent as reviewed here. The lens hood is a petal-shaped, bayonet-mounted design that nearly 2 inches long. Il est sans doute plus que correct comparé à la concurrence dans cette gamme de prix, surtout pour un objo de kit de base. image stabilization system were very good, showing about three stops of hand-holding improvement. You will probably never find a better deal. (purchased for $80), reviewed July 23rd, 2014 Commandez le produit Lumix DMC-G7 avec objectif 14-42mm et 45-150mm (Noir) de Panasonic aujourd'hui! It's worth noting that the new lens is a bit more conservative when it comes to its variable aperture; while it's marked as a ƒ/3.5-5.6 lens, by 25mm you're already limited to ƒ/5.3 as the minimum aperture. On stopping down the diffraction makes itself felt and it is the main limiting factor of the lens’s resolution. The hood will reverse for storage on the lens. un seul test contraditoire, à 36mm 1:8, le 14/42 sur le coté droit, le bouchon vert est plus net avec le 14/42 qu'avec le 14/45 ? Panasonic continues to improve its kit lens, somehow making it smaller, lighter, and sharper than the previous version. Stopping down reduces this shading considerably, until at ƒ/8, there is no shading to speak of. We shoot both images using the default JPEG settings and manual white balance of our test bodies, so the images should be quite consistent from lens to lens. Zooming in a bit into the mid-range (18-25mm), the lens shows some light softness when used wide open, particularly at the top of the frame; otherwise, there is some generous sharpness. Conclusion Unbelievable.... 14-42mm f/3.5-5.6 II ASPH MEGA OIS LUMIX G Vario, reviewed May 16th, 2016 Let’s see how the Panasonic 14-42 mm compares here. bon, il faut aussi relativiser, ferons-nous des agrandissements correspondant à ces crops 100% merci encore, et pas facile de trancher The VFA target should give you a good idea of sharpness in the center and corners, as well as some idea of the extent of barrel or pincushion distortion and chromatic aberration, while the Still Life subject may help in judging contrast and color. The zoom ring is smooth to turn, taking only two fingers to rotate, and offers around 75 degrees of turning action to run through the available range of focal lengths. It’s worth reminding here that, in the case of the tests conducted using that body, the decency level is situated around 42 lpmm. The Panasonic 14-42mm ƒ/3.5-5.6 II ASPH MEGA O.I.S. Very light. Gosselin offre la plus grande sélection de produits de photographie au Québec. To tell you the truth I didn’t expect better values when I started testing this lens. The Panasonic 14-42mm ƒ/3.5-5.6 ASPH MEGA O.I.S. However, the Panasonic 14-42mm II is almost as small as the Olympus lens now in this configuration. As you see you can’t have any reservations about the performance at the shortest focal length - the images are sharp even at the maximum relative aperture. Je le trouve meilleur au niveau netteté si je me fie au visionnage à 100% des photos réalisées avec chacun des objectifs. Panasonic has achieved this reduction in weight by changing the design of the lens: it only uses 9 elements in 8 groups, including 2 aspherical lenses, where the previous kit lens used 12 elements in 9 groups. I have the Oly 12-40 F2.8 Pro. Zoom creep is not a factor with this lens. (purchased for $90), reviewed August 28th, 2015 It converted me to M4/3 so I got an OMD M1. L'Objectif Zoom Panasonic 14-42 mm F/3.5-5.6 Power répond à la norme Micro 4/3 et est également appelé « X ». The Panasonic Lumix G 14-42mm f/3.5-5.6 ASPH OIS II has been completely redesigned from scratch and obviously a small size and low weight were primary design objectives this time. July 20, 2014by Andrew Alexander. arrive très vite ! Compared to my Pana/Leica 25 at 5.6, there's not a dimes worth of difference, just a tiny bit more micro contrast in the center. Voilà, l'ensemble des images a été posté. Material on this site may not be reproduced, distributed, transmitted or otherwise used without the prior written consent of The Imaging Resource. As well, the lens is physically smaller, at only 1.9" in depth instead of 2.4". The Panasonic 14-42mm ƒ/3.5-5.6 II lens represents the next iteration by Panasonic in reducing the size and weight of its kit lens: is quite small and light, weighing in at just 110gm (3.88 oz). Chromatic Aberration Olympus 14-42mm ƒ/3.5-5.6 II M.Zuiko ~$300Olympus' series of kit lens offers an innovative design which folds the lens back into itself to save space when not in use, making it quite small for storage. The Panasonic Lumix Vario PZ 14-42/3.5-5.6 X G (what a mouthful, hereafter known as the 14-42X) is a very small – about the size of the 20/1.7 pancake when collapsed – zoom for Micro Four Thirds. Period. I thought I'd try this lens simply to see if it is as good as the tests. Stopping down helps only slightly because with such an aperture the diffraction makes itself felt very quickly. Plastic lens mount. The most significant corner shading is produced at the widest angle and widest aperture setting: when set to 14mm and ƒ/3.5, the extreme corners will be 3/4 of a stop darker than the center. Un 14mm fixe est en pré-vente, sortie début novembre. The lens uses the same seven curved diaphragm blades to make up the aperture, and the plastic body mount of the previous kit lens has returned to a metal mount in the version II lens. SLRgear Review This has to be the bargain lens for m43 shooters. Macro P.O.I.S. Despite that difficult situation we would like to preserve continuity and high quality of publications available on all our websites. To avoid space limitations with the layout of our review pages, indexes to the test shots launch in separate windows. It is. Les Objectifs µ4/3 et bagues d'adaptations. je crois que j'ai dit des bétises... Je télécharge tout et je compare avec fastone, ce qui me gène le plus, c'est le plastique de la monture, pour être honnéte, on peut toujours s'arranger pour shooer avec les bons diaphs mais on ne peut pas changer la monture et à terme l'usure doit se faire ressentir surtout si le plastique utilisé est lui aussi cheap. En utilisant la technologie optique de haute qualité de Panasonic, cet objectif X fournit une image nette. Check out our IS test tab above for more detailed results. If a lot people decide to support our websites we think we'll stand a chance and survive next months without any lasting harm. Autofocus Operation It's not a big deal but I thought I'd mention it. Pour la dernière série il y a une petite différence de prise de vue du fait de la différence de focale max de ces 2 objectifs. I bought the 14-42 to use as a lazy choice for my GM5 when I can't be bothered to carry multiple primes, and it's a decent enough performer. bon, je viens de lire ce post en diagonale, mais la conclusion est que le 14-45 va devenir rare et culte? There is no distance scale or depth-of-field scale on the lens; the only information is the focal length markings. Otherwise, it's not so bad; other focal lengths when used wide open produce about a half-stop differential. Light, sharp, cheap, good OIS. Panasonic Leica DG Vario-Elmarit 12-60 mm f/2.8-4 ASPH. But I was pleasntly surprised when I tried it on my IR converted E-PL5, where it outperforms *all* my other lenses - even the Panasonic 14/2.5 which has a very solid IR performance. The 14-42mm isn't a ''constant'' lens, in that as you increase the focal length, the maximum aperture size decreases, however the minimum aperture remains at f/22. Write your own user review for this lens. Near the maximum relative aperture it is limited by chromatic aberrations, not to be avoided in this case. Slow apertures. You can get that last bit of quality and speed in another lens for sure, but you will pay far more and it will be decidedly heavier. Overall the image in the frame centre is beyond any serious reproach. ce test montre aussi que la diffraction dû au diaph. Unfortunately the performance on the edge of the frame is quite another story – it’s enough to look at a graph below to become convinced of it. Pour le reste, je ne suis pas spécialiste... Zut ! This site is not responsible for any damage that the information on this site may cause to your system. The Panasonic 14-42 is a quite slow lens and there is no room where it could spread its wings. (purchased for $200). (purchased for $119), reviewed April 20th, 2014 Personnellement, je ne trouve pas que l'optique ait régressé : ok 42 au lieu de 45, ok plastique au lieu de métal, mais j'ai encore comparé les photos et à 100% la netteté du 14-42 est quand même meilleure que celle du 14-45. It is almost always on my GX7, and it never fails to delight me with its competence. The lens offers focal lengths equivalent to 28-84mm, in 35mm film terms. Stopping down to ƒ/5.6 and produces tack-sharp results at the focal length. The Panasonic 14-42mm ƒ/3.5-5.6 II ASPH MEGA O.I.S. As sharp as any m43 zoom - better in some ways than my 12-35mm f/2.8. At the end we present crops taken from our test chart photos saved as JPEG files. The 14-42mm ƒ/3.5-5.6 II was designed exclusively for the Micro Four-Thirds sensor size; it will function properly on other Micro Four-Thirds cameras, such as those produced by Olympus. Click here for Real-world Gallery Images on our Flickr page! SLRgear Review July 20, 2014 by Andrew Alexander. That's why we would like to ask all those who visit, read, and care about Optyczne.pl, LensTip.com i Allbinos.com for support - it's enough you send us a small sum of money via PayPal. Here, even at the maximum relative aperture the resolution values are nothing you can carp about. The zoom ring is also plastic with raised ribs, about 1/2'' wide. Panasonic Leica DG Vario-Elmarit 8-18 mm f/2.8-4 ASPH. I compared it to the 12-32, 12-35, 45-150 and 42.5 shooting flat detailed objects at 5 metres. As with the previous design there is no exterior switch to control image stabilization, in fact there are no user controls at all on the lens other than the zoom and focus rings. Macro performance is above average, with a 0.34x magnification rating and a minimum close-focusing distance of 30cm (around one foot). Optically, they're quite similar, with the Panasonic lens being a little sharper. Stopping down to ƒ/8, is required for images to become tack-sharp. Not really. The focusing ring is plastic with raised ribs, just 1/4'' wide. The image at the shortest focal length still isn’t alarming. Used in the lens' telephoto range (36-42mm), sharpness is excellent; you'll have to stop down to ƒ/8, for tack-sharp across the frame.

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