Rosas / Anne Teresa De Keersmaeker Rosas is the dance company of the choreographer and dancer Anne Teresa De Keersmaeker. Alsof ze een kind is dat in Elle a fait ses études secondaires à Bruxelles, où elle commence par faire de la musique (de la flûte traversière dont elle continue toujours la pratique7). Her choreographic practice also draws formal principles from geometry, numerical patterns, the natural world, and social structures to offer a unique perspective on the body’s articulation in space and time. Verklärte Nacht (both the 1995 version for fourteen dancers and the 2014 version for three) unfolded De Keersmaeker’s expressionist side, bringing the stormy narrative of Arnold Schönberg’s late romantic string sextet to life. Anne Teresa De Keersmaeker is a dancer and choreographer, and the founder of the dance company Rosas. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Other dance mentors for the initiative include William Forsythe (2002), Saburo Teshigawara (2004), Jirí Kylián (2008), Trisha Brown (2010) and Lin Hwai-min (2012). At the beginning of 1997, Anne Teresa De Keersmaeker created, together with Steve Paxton and The Wooster Group, 3 solos for Vincent Dunoyer. In November 1997, Just Before, to a live performance by the Ictus Ensemble of music composed by Magnus Lindberg, John Cage, Iannis Xenakis, Steve Reich, Pierre Bartholomée and Thierry De Mey, was presented in La Monnaie. Anne Teresa De Keersmaeker passe son enfance avec ses deux sœurs à Wemmel en Belgique. After that it becomes your dance: you dance Rosas . In 1993, Rosas created Toccata, to the music of J.S. Anne Teresa De Keersmaeker El Festival de Otoño ha incluido Rosas danst Rosas (a partir del martes) y The Song (14 y 15) en los Teatros del Canal, de la coreógrafa y bailarina belga Anne Teresa de Keersmaeker. A coreógrafa belga Anne Teresa de Keersmaeker é a convidada da primeira bienal "Artista na Cidade". Anne Teresa De Keersmaeker In 1980, after studying dance at Mudra School in Brussels and Tisch School of the Arts in New York, Anne Teresa De Keersmaeker (b. In 1995 De Keersmaeker established the school P.A.R.T.S. On Thursday and Friday evenings all four parts will be performed in one hour-long performance (Performing Arts Research and Training Studios) in Brussels in association with De Munt/La Monnaie. Anne Teresa De Keersmaeker / Rosas Achterland tient une place décisive dans le parcours d’Anne Teresa De Keersmaeker : premier de ses essais, en 1990, pour une plus grande implication des musiciens dans la dynamique scénique – une approche qu’elle développera abondamment par la suite. While at the Tisch she presented her first production, Asch (1980), in Brussels. Se trata de Rosas, emblema de la danza hecha en Bélgica, nacida en 1983 a raíz del espectáculo Rosas danst Rosas que la coreógrafa montó y que hoy día, más de veinte años después de su nacimiento, se sigue representando. Anne Teresa De Keersmaeker crée Dark Red pour le musée Kolumba à Cologne Anne Teresa, Baronessa De Keersmaeker (Malines, 11 giugno 1960) è una ballerina e coreografa belga Biografia Dopo gli studi con il Ballet du XXe siècle e alla Tisch School of the Arts, Keersmaeker debuttò come coreografa a . Anne Teresa De Keersmaeker’s dances for the Broadway revival swarm and sweep, but Robbins’s choreography was something more central: the libretto. Jan Joris Lamers designed the set and lighting and Dries van Noten the costumes. In November 1995, La Monnaie premièred Verklärte Nacht, a choreography that was part of a production of Schönberg music Erwartung/Verklärte Nacht. Performances such as Elena's Aria (1984), Bartók/Aantekeningen (1986), a staging of Heiner Müller's triptych Verkommenes Ufer/Medeamaterial Landschaft mit Argonauten (1987), Mikrokosmos-Monument Selbstporträt mit Reich und Riley (und Chopin ist auch dabei)/In zart fliessender Bewegung - Quatuor Nr.4, (1987), Ottone, Ottone (1988), Stella (1990) and Achterland (1990) were produced in collaboration with Kaaitheater. At the beginning of 2017 she was invited by the Paris Opera to direct Mozart’s Così fan tutte. From 1992 until 2007, Rosas was in residence in the Brussels opera house De Munt/La Monnaie. In 2013, De Keersmaeker returned to the music of Bach (performed live) in Partita 2, a duet between herself and Boris Charmatz. El - Performing Arts Research & Training Studios, where sixty students coming from some 25 countries are trained, over a three-year period, by more than 50 teachers. Once, a solo to the music of Joan Baez, concluded the celebration year's performances. In January 2001, Anne Teresa De Keersmaeker created Rain, another performance to a score by Steve Reich, his Music for 18 Musicians. Anne Teresa de Keersmaeker assume et assure quand même le show. In May 1999, Rosas premiered I said I, a collaboration with Jolente De Keersmaeker for the direction, with the Ictus Ensemble, Aka Moon and DJ Grazzhoppa for the music composition and execution. In March 1999, Anne Teresa De Keersmaeker created, together with Rosas dancer Cynthia Loemij and Jolente De Keersmaeker and Frank Vercruyssen from the theatre company STAN, Quartett; a dance-theatre performance based on the text by Heiner Müller. Since these breakthrough pieces, her choreography has been grounded in a rigorous and prolific exploration of the relationship between dance and music. Anne Teresa De Keersmaeker creëert Dark Red voor het Kolumba-museum in Keulen Gepubliceerd op 11.09.2020 Anne Teresa De Keersmaeker en Radouan Mriziga creëren 3ird5 @ w9rk voor het Gepubliceerd op 19.08 Also during her time at La Monnaie, De Keersmaeker created Toccata (1993) to fugues and sonatas of Johann Sebastian Bach, whose music has continued to be a recurring thread in her work. Son père était fermier et sa mère professeure6,7. In 1981, she attended the Tisch School of the Arts at New York University. A 336 pages book Rosas, if and only if wonder was published and a multimedia exhibition was organised in newly opened halls at the Centre for Fine Arts, Brussels, and was attended by over 15,000 people. In February 1998, Anne Teresa De Keersmaeker made her debut as an opera director at La Monnaie with Bartók's Duke Bluebeard's Castle. Also in 2015, Rosas premiered Golden Hours (As you like it), using for the first time a body of text (Shakespeare’s As You Like It) as the score for movement, thus allowing the music (Brian Eno’s 1975 album Another Green World) to recede from strict framework to soft environment. In the following videos choreographer Anne Teresa De Keersmaeker and dancer Samantha van Wissen will teach you the moves, step by step, from the second part of the performance. During this period, De Keersmaeker directed a number of operas and large ensemble pieces that have since been performed by repertoire companies worldwide. At the start of the residency, Anne Teresa De Keersmaeker set herself three objectives: to intensify the relation between dance and music, to build a repertory, and to launch a dance school (after the disappearance of MUDRA from Brussels in 1988). De Keersmaeker established the dance company Rosas in Brussels in 1983, while creating the work Rosas danst Rosas. Two years later came the premiere of Fase, Four Movements to the Music of Steve Reich. Anne Teresa De Keersmaeker was born in 1960 in Mechelen, Malines, Belgium. Great composers hold no terrors for Anne Teresa De Keersmaeker. De Keersmaeker wuchs in Wemmel in Flandern auf, ihr Vater war Landwirt, die Mutter Lehrerin. She ventured into theater, text, and interdisciplinary performance with I said I (1999), In real time (2000), Kassandra - speaking in twelve voices (2004), and D’un soir un jour (2006). At MoMA, she performed her solo Violin Phase from Fase: Four movements to the Music of Steve Reich (1982) in 2011, and presented her work Work/Travail/Arbeid in 2018. She studied from 1978 to 1980 at Mudra in Brussels, a school with links to La Monnaie and to Maurice Béjart's Ballet of the 20th Century. A partir de 3 de fevereiro e ao longo de todo o ano, Centro Cultural de Belém, Culturgest, Teatro Camões, Teatro Maria Matos e outros espaços da capital vão receber mais de uma dezena de espetáculos interpretados pela companhia Rosas. De Keersmaeker’s latest pieces mark a visible “stripping down” of her choreography to essential principles: spatial constraints of geometric pattern; bodily parameters of movement generation, from the utmost simplicity of walking to the fullest complexity of dancing; and close adherence to a score (musical or otherwise) for the choreographic writing. It's not a … In August of the same year she creates Mitten wir im Leben sind/Bach6Cellosuiten with the cellist Jean-Guihen Queyras. Lidera Anne Teresa de Keersmaeker una de las agrupaciones más relevantes de la danza internacional. Our products are shipped once a week. Her newest creation, set to Bach’s six Brandenburg Concertos, premiered in the fall of 2018. 1960) created Asch, her first choreographic work. In 1995 startte Anne Teresa De Keersmaeker met een eigen opleiding te Vorst, in het Brussels Hoofdstedelijk Gewest. Taking her penchant for writing movements from musical scores to an extreme level of sophistication, Vortex Temporum had a one-to-one ratio between the Rosas dancers and the live Ictus musicians, bringing the choreography and the music into meticulous dialogue. 2002 saw the celebration of twenty years of Rosas and ten years of residence at La Monnaie, with the re-run of the text-pieces, the creation of (but if a look should) April me and Rain live, the two latter accompanied by Brussels contemporary music ensemble Ictus. I shall have to read of it in the biography of authors.”—Henry David Thoreau (1817–1862), Norman Foster, Baron Foster Of Thames Bank -, Virginia Woolf - Bibliography - "Biographies". She highlighted the use of improvisation within choreography in tandem with jazz and Indian music in such pieces as Bitches Brew / Tacoma Narrows (2003, to the music of Miles Davis), and Raga for the Rainy Season / A Love Supreme (2005). Na een uitvoerige auditie en selectieprocedure kunnen hier elk jaar een zestigtal studenten uit zo’n 25 landen zich komen vervolmaken in dans en choreografie. Anne Teresa de Keersmaeker rent door een bos met dunne bomen en zingt dat Vlaamse liedje. A production made in collaboration with the Orchestre des Champs Elysées, directed by Philippe Herreweghe. Rosas danst Rosas - Anne Teresa De Keersmaeker's first choreography for the young company to new compositions of Thierry De Mey and Peter Vermeersch - brought Rosas the international breakthrough as a company. 2003 showed yet a new evolution: whereas in the past her choreographies had been very precise and closely linked to the music, in Bitches Brew / Tacoma Narrows, De Keersmaeker for the first time allowed improvisation by her dancers during the performance. Anne Teresa De Keersmaeker and Tale Dolven will perform each part of the Fase throughout the day from Wednesday to Friday. The Rosas offices are closed until August 17, shipments are suspended until that date. P.A.R.T.S. Also in 2013, she created Vortex Temporum to the spectral music piece of the same name written in 1996 by Gérard Grisey. In December 1996, Woud, three movements to the music of Berg, Schönberg & Wagner was premièred in Seville. In February 1998, Anne Teresa De Keersmaeker made her debut as an opera director at La Monnaie with Bartók's Duke Bluebeard's Castle. During the eighties, Rosas was supported by Kaaitheater of Brussels (director Hugo De Greef). Anne Teresa De Keersmaeker creates Dark Red for the Kolumba museum in Cologne Published on 11.09.2020 Anne Teresa De Keersmaeker and Radouan Mriziga create 3ird5 … Two years later came the premiere of Fase, Four Movements to the Music of Steve Reich. Anne Teresa De Keersmaeker, geboren 1960, ist eine belgische Choreografin und Tänzerin. In August 1998, the Impuls Festival in Vienna premièred Drumming, a production to Steve Reich's composition of the same name. One month later, she choreographed and danced a duet with Elizabeth Corbett for the production with/for/by. Later that year, Rosas created Mozart Concert Arias, un moto di gioia for the Avignon Festival. For In Real Time in 2000, Rosas again collaborated with Stan, as well as with the jazz-ensemble Aka Moon for the composition and live interpretation of the music. In 1980, she made her mark with her first choreographic composition Fase, Four Movements to the Music of Steve Reich. Over the past years, Rosas has also revived several earlier pieces: Rosas danst Rosas, Fase (French), Mikrokosmos, Achterland and others. Anne Teresa de Keersmaeker peut ainsi préciser : « Teinté de tristesse, cet ouvrage se conclut par une seule solution : laisser aller, laisser partir… Le groupe sera cette vague qui vient et se retire. In 2006, De Keersmaeker was invited to serve as a Mentor for the Rolex Mentor and Protégé Arts Initiative, an international philanthropic programme that pairs masters in their disciplines with emerging talents for a year of one-to-one creative exchange. À l'âge de dix ans, elle prend ses premiers cours de danse 6. Born in 1960, Anne Teresa De Keersmaeker studied dance, first at the Mudra School in Brussels, then at the Tisch School of the Arts in New York. De Keersmaeker did not study dance until her last year of high school, instead studying music, specifically the flute. In 1982 upon her return from the U.S.A. she created Fase (French), four movements to the music of Steve Reich. That year, Rosas created ERTS and released Rosa - a film of a choreography by Anne Teresa De Keersmaeker to Bartók music directed by Peter Greenaway. On Friday 30 and Saturday 31 October at 8 pm (CET), For full functionality of this website, it is best to, Anne Teresa De Keersmaeker's opening speech for, Anne Teresa De Keersmaeker and Radouan Mriziga create. Later that year, Anne Teresa De Keersmaeker continued her research into the relationship between text and movement in Die Weise von Liebe und Tod des Cornets Christoph Rilke, a creation based on the eponymous text by Rainer Maria Rilke. She has said that the percussionist and her music teacher at MUDRA, Fernand Schirren (Fernand Schirren (French)), was a major influence on her. In samenwerking met De Muntschouwburg richtte ze " P.A.R.T.S. " In November Anne Teresa De Keersmaeker created The Lisbon Piece, for the Portuguese Companhia Nacional de Bailado: her first experience as a guest choreographer. 1981 studierte sie an der Tisch School of the Arts in New York. Bach, for the Holland Festival. The success of Fase contributed largely to the foundation of the company Rosas in 1983. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.”—Henry David Thoreau (1817–1862), “The death of Irving, which at any other time would have attracted universal attention, having occurred while these things were transpiring, went almost unobserved. In 2015 this piece was adapted to a durational exhibition format at WIELS in Brussels under the title Work/Travail/Arbeid. ( Performing Arts Research and Training Studios ) op. 1945), “As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. She is known for her work on Achterland (1994), Rosas danst rosas (1997) and Tippeke (1996). In Drumming (1998) and Rain (2001), both with Ictus contemporary music ensemble, complex geometric structures in point and counterpoint, together with the minimal motivic music of Steve Reich, created compelling group choreographies that remain iconic and definitive of Rosas as a dance company. Vergeet … [2] At the end of 1994, this collaboration resulted into a new creation: Amor Constante más allá de la muerte. She has created with Rosas a wide-ranging body of work engaging the musical structures and scores of several periods, from early music to contemporary and popular idioms. Anne Teresa De Keersmaeker, Fase Par Céline Gauthier.Publié le 24/02/2020 Chef-d’œuvre des années 80 et matrice créative d’Anne Teresa De Keersmaeker, Fase, Four Movements to the Music of Steve Reich s’offre aujourd’hui à de nouveaux regards. It was the first time that the choreographer created dance material specifically for men and that she gave musicians a central role on the stage. Rosas' productions have been invited by theatres and festivals across five continents. In May 1994, the KunstenFESTIVALdes Arts in Brussels premièred Kinok, produced in collaboration with Thierry De Mey and the Ictus Ensemble. In 1995, Rosas and La Monnaie launched in Brussels a new international school for contemporary dance. Ze stamelt de tekst, verhaspelt de woorden, zwenkt tussen de stammen door en dribbelt om niet te vallen. Ivo van Hove en Anne Teresa De Keersmaeker begaven zich in het hol van de leeuw toen ze ‘West side story’ op Broadway de 21ste eeuw wilden binnenloodsen. Elle irradie dans le solo de Violin Phase , semble en découvrir avec nous de nouvelles subtilités, renouvelle la proposition malgré notre désir de la fixer éternellement dans sa parfaite jeunesse, et crée ainsi de l’espace dans une écriture pourtant serrée. Out of a very gifted field of candidates, De Keersmaeker chose young Togolese choreographer Anani Dodji Sanouvi as her protégé. In 2020 she created a new choreography for the musical West Side Story on Broadway. Her newest choreography, set to Bach’s six Brandenburg Concertos, premiered in the fall of 2018. Within the framework of Kaaitheater, her oeuvre took shape. In 1992, La Monnaie's general director Bernard Foccroulle invited Rosas to become the resident company of Brussels' Royal Opera De Munt/La Monnaie. In A Choreographer’s Score, a three-volume monograph published by Rosas and Mercatorfonds, De Keersmaeker offers the performance theorist and musicologist Bojana Cvejić wide-ranging insights into the making of four early works as well as Drumming, Rain, En Atendant (2010), and Cesena (2011). Achterland (1990) is a pivotal production in Anne Teresa De Keersmaeker’s oeuvre. [1] Sie besuchte Maurice Béjarts Brüsseler Mudra-Tanzschule von 1978 bis 1980. In 1980, after studying dance at Mudra School in Brussels and Tisch School of the Arts in New York, Anne Teresa De Keersmaeker (b. 1960) created Asch, her first choreographic work. And if you want to emerge from an encounter with Anne Teresa De Keersmaeker in one piece, you don't ask her if she's "the next Pina Bausch". Read more about this topic:  Anne Teresa De Keersmaeker, “A biography is like a handshake down the years, that can become an arm-wrestle.”—Richard Holmes (b. Performance: Rosas - Anne Teresa De Keersmaeker & Michele Anne de MeyMusic: Steven ReichDirected by Thierry de Mey Anne Teresa De Keersmaeker, Director: Achterland. In August 1998, the Impuls Festival in Vienna premièred Drumming, a production to Steve Reich's composition of the same name. In her early 20s, the Belgian choreographer Anne Teresa De Keersmaeker created two dances that remain among her most distinguished: “Fase, Four … It was this production that brought her "a breakthrough on the international dance scene, performing, among other places, at the Avignon Festival".

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