eval(ez_write_tag([[300,250],'4kshooters_net-box-3','ezslot_6',143,'0','0']));As the shippings start to come in, the Blackmagic Pocket Cinema Camera 4K seems to be all the rage now. The only downside to this lens seems to be the variable aperture that goes from f2.8 up to f4 when zoomed in at 18mm. Also, the wider the opening of the aperture, the more shallow your depth of field will be. This website uses cookies to improve your experience. These Sigma cine zoom lenses are a great choice for professional cinematographers, and they are really compact and well priced considering the price for a similar Zeiss zoom lens is twice as much. Macro lenses allow you to film microscopic subjects in incredible detail. Create robust and customizable shot lists. Focal length is one of the main determinants in the appearance of your image. Although it shares the same fly-by-wire focus ring design as the previous lens, this one is much easier to focus, and it makes for a great companion to your Pocket 4K. Yet another Panasonic Leica, but this time it’s a zoom, the Vario-Elmarit 8-18mm. The Sigma 24-70mm f/2.8 has a solid build quality and weighs in at nearly 2lbs. 24mm is a nice focal length to have, but since it is a prime, you'll have to decide if it's as important as 35mm or 14mm. That’s it! Aperture Control: Older lenses had manual aperture control in the form of a ring, just like the focus ring, that twisted to stop up or down. There’s no single lens that suits every possible need; each has their own benefits and drawbacks. When making a film or music video, there is always a chance to get some extra production value with a really long lens like this, so make sure to take advantage. The lens offers a constant f/2.8 through the entire zoom range, and its Optical Image Stabilization allows you to shoot a rock steady image — even at 200mm. A good fit for both photography as well as movie recording, this flexible lens can be tuned to whatever your project calls for. The follow-up to the highly regarded CP.2, this line of cine lenses is one of the highest quality available on the market. Overall, it’s one of the best travel cinema camera you can buy. Best Lenses for the BMPCC 4K You Can Currently Get, IBC 2018: P+S Technik TECHNOVISION Classic 70-200mm 1.5x Anamorphic Zoom for Full-Frame Large Format Cine Cameras, Odyssey7Q+ Now Includes Free 256GB SSD, Lower SSD Prices, Plus More Samsung SSDs Qualified, Remote Control is an Inexpensive Wireless Follow Focus System for Your Zhiyun Crane 2, Check Out Rusty – a Short Film Entirely Shot on the URSA Mini Pro 4.6K and Pocket 6K. This website uses cookies to improve your experience while you navigate through the website. The lens features two advanced aspherical elements and three extra-low dispersion glass elements. Job Description and Duties. The lens aperture iris diaphragm has nine rounded blades that provide a pleasant bokeh for shallow depth of field shots. Best cine prime lenses for the Sony a7 III and a7S III. Beautiful Optical Quality. Once you know what focal length you want, you’ll want to consider the speed of the … Constant aperture at f/4, which is not bad for both the a7 III and a7S II or a7S III, because both have great low light performance. Lenses with focal lengths between 20mm and 100mm are much more common in video production, with 50mm lenses more or less approximating the field of view of the human eye. Because you have to crop from 3.55 to 2.39, the 84mm becomes a 125mm equivalent!! Some of the big ones are: how you plan to use it, which camera systems it’s for, and of course, price. In general, lenses have a longer lifespan than camera bodies. Canon released the first version of this industry-standard telephoto in 1995. Four different orientations, so the focus puller can work more freely. We'll assume you're ok with this, but you can opt-out if you wish. On newer lenses, you might even lose the ability to change your aperture. As a part of Sigma’s Art line of lenses, the Sigma 18-35mm f/1.8 DC HSM Art is built for use in creative endeavors. Here’s an example with a 28mm lens: This is why you have some manufacturers bringing out 1.8x anamorphic lenses, like the Cooke Anamorphic/i Full Frame Plus Prime Lens: You get a range from 32mm to 180mm at a T2.3 average. The Sony FE 20mm F1.8 G is a large-aperture ultra-wide-angle prime lens meant for portraits, astrophotography, landscape and street photography, as well as video. However, moving from f/4 to f/2.8 can make a big difference for videographers working in low light situations. The Ultimate Guide to Call Sheets (with FREE Call Sheet Template), How to Break Down a Script (with FREE Script Breakdown Sheet), The Only Shot List Template You Need — with Free Download, Managing Your Film Budget Cashflow & PO Log (Free Template), A Better Film Crew List Template Booking Sheet, Best Storyboard Softwares (with free Storyboard Templates), Who Are the Coen Brothers — Bio, Early Work and Film Style, What is an Antagonist? The lenses are equipped with industry-standard de-clicked focus and iris gears, making it easy for an operator or 1st AC to quickly and accurately pull focus and/or efficiently swap lenses on set. Really durable build, and a large lens for a 50mm. It is well worth the price you will pay. The main types of sensors to consider here, from largest to smallest, are full frame, APS-C and Super35, and Micro Four Thirds. Expensive for what you’re getting. This category only includes cookies that ensures basic functionalities and security features of the website. It’s the Sigma 18-35mm f1.8. This difference makes T-stops more consistent for cinematic applications. Camera specs definitely matter, but even the best cinema camera won’t be able to deliver exceptional output if it falls in the hands of someone who can’t utilize it. However, the high quality comes with a higer cost. It lacks some of the more advanced features of its expensive rivals, but for everyday shooting, there is little this lens can’t do. If coupled with a speedbooster you get more or less a 22 to 45mm f1.2 lens, and that’s insanely fast. All lenses share a T-stop range of 1.5-22, are tack sharp, and are built for full-frame sensors. Both lenses are par focal, meaning that run-n-gun shooters can set focus and adjust the zoom while keeping their subjects in full focus. The auto-focus is quick and somewhat quiet, but there have been a lot of reported auto-focus issues with Sigma. The build quality of the lens is superb and the body is sealed to be water and dust resistant. And you can augment it with the stellar 14mm T3.1 Cine DS (Amazon, B&H). The whole Irix cine lens line is built with a stout construction and has rubber seals for rain or dust protection. Sigma has been a top camera lens brand for years, so we thought it’d be helpful to put together a list of the best Sigma camera lenses for all of the top brands like Canon, Nikon, Sony, and cine cameras as well. When shopping for a new lens, look for maximum apertures of f/4 or wider. A nice add on is also the built-in IS, not a feature we get easily on this kind of lenses, but lacks weather sealing, so watch out if you plan to shoot in the rain! This is a lens that will capture images in 8K really well. The ZEISS CP.3 lenses feature advanced lens coatings, painted lens rims and special light traps within the barrel to eliminate unwelcome veiling glare and flares. Links to the Sigma lenses may only have one option for a specific lens mount, but that does NOT mean that a Sigma lens for your camera doesn’t exist or is unavailable at the moment. Using one can cut up to a full stop from your exposure. Both lenses are only available in Sony E and Micro Four-Thirds lens mounts, and are designed for Super 35mm sensors. Cine lenses have the ability to focus on moving objects and smoothly toggle focus from one subject to another. Although they allow you to use a wider range of the lenses, adapters also have drawbacks. There isn’t even an anamorphic desqueeze option in camera. Given it’s Micro Four Thirds lens mount, this camera opens up to some interesting lens choices besides the usual suspects. The 24mm, 35mm, 50mm, and 85mm can be purchased as a bundle for less than $1,700 — making this set of cine lenses an unbeatable bang-for-your-buck option. Let’s start off with the Panasonic Leica 42.5mm Nocticron. Furthermore, it’s compatible with a variety of 67mm filters. Zoom lenses for full frame sensors are as rare as UFO sightings: *The other Tokina zooms only cover Super35mm. The lower the number, the wider the angle of view, allowing more of the scene to be captured. It’s not just that there are dozens of cameras to choose from, it’s that each one offers... All the latest video techniques and gear reviews, sent straight to your inbox. EF/PL/E Mount; 35mm/APS-C; Max: t/2; LensProToGo. Strengths. Disagree with our picks? Know the crop factor for your camera to be sure you’re getting the lens you need. This zoom range covers the most commonly used focal lengths. Sigma 35mm T1.5 Cine Lens: This exceptional new high-speed prime lens covers full-frame sensors, is suitable for capturing ultra-hi-res 8K video in low light, provides apertures from T1.5 to T16, and has standard 0.8-pitch gears on its long-throw … The Sigma Cine T2 series is a re-housing of the wildly popular Sigma Art lenses. However, they can take the place of several prime lenses and are convenient for run-and-gun situations where you’re reframing often. It would be the rare individual who will buy a $20K zoom for a $3K camera. On a camera with a APS-C sensor with a 1.5-time crop, the same lens will have a field of view approximately equivalent to a 52mm lens. Cinema prime lenses, on the other hand, have a fixed focal length and don't allow you to zoom in and out. The size of this opening is controlled by a multi-bladed iris. As of 2019, many manufacturers have come out with full frame cine lenses in the top range. Not only is it versatile, but it has been field tested by rental houses over many years, and have worldwide sales and service. Click here to read my comparison of full frame lenses for large format sensors. Computers & Accessories. The Editors’ Choice award recognizes exceptional video production equipment, software and services. This is a perfect entry point for a filmmaker looking to get a bit more serious about the craft. For use in Premiere, Final Cut Pro, and After Effects. purchased as a bundle for less than $1,700, available for purchase for less than $350 each, Both lenses can be purchased for less than $7,800 all-in, Buyer’s Guide: The Best Macro Lenses on the Market, Video Tutorial: The Best Lenses for Gimbal Cinematography, 5 Reasons You Should Purchase a “Nifty Fifty” 50mm Lens, How to Create Foreign Language Subtitles in AVID, Creating and Ingesting Proxies in AVID Using DaVinci Resolve, 6 Lifesaving Hacks for Cropping Your Footage to a Wider Aspect Ratio, Insights into the Cinematography of the Award-Winning Docuseries “Tales By Light”. Be sure to check out these awesome PremiumBeat resources on building your lens kit: Experience the best TheBeat has to offer. This will result in heavy vignetting of your image. 4K Wide-Angle 10x Zoom Lens with Image Stabilizer; 12 Megapixel One-Inch 4K-Compatible CMOS Image Sensor; DiG!C DV 5 Image Processor; Best Lenses for Wedding Videography. You’ll also find that most manufacturers, including Canon, Nikon, Sony, Sigma and Tokina, … 2. Not only that, the image is sharp making it a good all-rounder. The Videomaker Editors are dedicated to bringing you the information you need to produce and share better video. Make sure to use on a tripod as much as you can for high resolution. However, all PL-mount lenses must interface with an adapter, so the adapter must be strong, stable and must provide good support so the E mount is not strained. The Best Lenses for the Sony a7 III for Video. Lenses with focal lengths between 20mm and 100mm are much more common in video production, with 50mm lenses more or less approximating the field of view of the human eye. eval(ez_write_tag([[336,280],'4kshooters_net-leader-1','ezslot_9',147,'0','0']));Last but not least a classic choice, the Zeiss Planar 50mm and Zeiss Planar 85mm, both f1.4. They ensure a low level of distortions and aberrations. You’ll usually see this measured as the F-stop of a lens, for instance f/2.8, f/4 or f/5.6. Another  “workhorse” here. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. This lens is a bit more geared toward photography, but that doesn’t mean you can’t use it for filmmaking. It’s a useful storytelling tool when used deliberately. Great construction quality, with a great character, wonderful bokeh. Is it really value for money? Since then, there have been several generations of this sturdy, extremely versatile lens. The 35mm focal length allows for really shallow depth of field with the wide angle. Assuming you have an excellent adapter that has been shimmed for focus accuracy, it also allows you these benefits: If you have a limited budget, then don’t look further than a Samyang/Rokinon Cine DS prime set (Amazon, B&H): I would start with a four lens set: 24mm, 35mm, 50mm and 85mm T1.5. Rokinon Cine DS or Samyang Cine VDSLR II? Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. It’s important to note that cine zooms are parfocal. The Panasonic Leica 100-400mm is a huge zoom, what we would call a “beast”. It’s also generally affordable with prices ranging from a several hundred dollars to a couple thousand depending on mount and manufacturer. The lens’ 11 blade diaphragm ensures a well-rounded bokeh. Given a choice, cine lenses are better off with the PL mount. They also have longer focus throw for smooth racking and smooth, de-clicked manual apertures. If you need to brush up on popular lens mounts, check out our guide to camera lens mounts. If yes, then this one is for you. Following up is a “pancake” lens, the Panasonic Lumix 20mm f1.7. This is the longest of all the Sigma cine lenses, and it really nice. The FE 20mm F1.8 G is dust and moisture resistant and has a fluorine front element coating. Remember: what matters more is the creative force behind the concept and the gear. The beautiful bokeh (complemented by a well-rounded, eight blade diaphragm), fast and accurate focus and numerous measures against aberrations make the Canon EF 70-200 f/2.8L IS III USM one of the most versatile zoom lenses on the market. One point to note is that the lens is designed for use with APS-C sensors and will vignette on a full-frame DSLR. Finally, if the outer diameter isn’t the same size, you will need different matte box adapters for each lens change. Available in 18-55mm and 50-135mm, these two lenses are almost identical in both form and function. The lens’ built-in CPU allows for quick auto-focusing, though it can also be focused manually. Good lens for capturing sports and nature. Upload images to make storyboards and slideshows. These cookies do not store any personal information. Let’s look at five solid investments. The current IS III USM generation is the best yet. A part of Sony’s high-end G Master line of lenses, a great deal of work went into to correcting a wide variety of spherical and chromatic aberrations resulting in a clean, crisp image. Best camcorders for any video shooter — 2020, The best audio and video recorders — 2020, Best microphone for video production — 2020, The best digital storage for video editors — 2020. Truth to be told, the Pocket isn’t weather sealed either, so you should consider some protection in any case. Going toward the end of this list we have the Tokina 11-16mm f2.8. eval(ez_write_tag([[300,250],'4kshooters_net-large-leaderboard-2','ezslot_4',146,'0','0'])); Let’s talk telephoto. If you’re a hobbyist looking for a more affordable alternative, the Yongnuo YN 50mm f/1.8 Lens may be a perfect fit. What happens if you use 2x on the a7S II and a7R II in APS C mode? It comes in a few hundred dollars under top competitors. Althought a simple speed booster can … They are great lenses for cinema, documentaries, music videos, commercials, or any other high-end video needs. The motion capture, contrast, and colors are really nice. The lens features a Hyper Sonic Motor for powerful focusing capabilities and full-time manual focusing override. This can be a handy feature when using lenses on a camera that doesn’t have digital communication. Higher-end brands like Zeiss and Cooke even offer interchangeable lens mount options. Lastly, it also color matches with its zoom cousins (below). Cine primes are much more common and affordable than cine zoom. Fujinon’s super lightweight MK T2.9 series lens offers shooters immense versatility in both studio settings and run-n-gun shooting scenarios. If you have a great idea you’d like to share with our readers, send it to editor@videomaker.com. The build and mechanics of the Meike T2.2 Manual Focus Cine Lenses are on par with higher-end cine lenses, and favor the build of Veydra cine primes. Compact cine lenses aimed to independent filmmakers, with optimal sharpness and excellent construction. The Rokinon Cine DS series is one of the most popular bang-for-your-buck lens sets out there. Think of a shot where the subject is in focus and the background is very blurry; it was probably done with a wide open aperture, like f/2.8 or wider. If I’ve missed an important lens please let me know in the comments below. Another lens from Sigma’s well-regarded Art line, the Sigma 24-70mm f/2.8 DG OS HSM Art features a flexible zoom and a variety of focal lengths making it adaptable to just about any shooting environment or project. The Canon EF 70-200 f/2.8L IS III USM features 4-stop Image Stabilization which will help to deliver stable footage when shooting handheld. These zooms won’t work with full frame cameras like 5D or A7iii. These Sigma cine zoom lenses are a great choice for professional cinematographers, and they are really compact and well priced considering the price for a similar Zeiss zoom lens is twice as much. This is the widest of the Sigma art lenses on this list, and it also happens to be the most expensive. The result is higher contrast, richer blacks and more saturated colors. A certain amount of light that comes into the lens is lost as it moves through the lens and camera. You also have the option to opt-out of these cookies. Get Instant Access! The constant maximum aperture of f2.8 gives a great low light performance and image sharpness is excellent even wide open. Build quality of the Sony G Master 85mm is very high and while the lens isn’t fully weather-sealed it offers dust and moisture resistance. The optical system has 11 optical elements in 9 groups — including 4 HR lenses, 1 ED lenses, and 1 ASP. The Sigma Cine T2 series includes two zoom lenses at the focal lengths of 18-35mm and 50-100mm. This is your workhorse zoom, the run-and-gun kind of lens. There are few lenses that offer as much bang for their buck as the Tamron 28-75mm F/2.8. The Sigma 18-35mm f/1.8 DC HSM Art lens has numerous measures against aberrations that will ensure crisp, clean images for users of all skill levels. The lenses are tack sharp and have a multi-layer coating that keeps veiling flares under control. If you’re only going to purchase one cinema lens, the Sigma Cine 18-35mm T2 is hard to beat at a bargain price of $4,000. This lens has image stabilization which is important for video, and while it is relatively expensive, it does come in at a better price point than Canon and Nikon versions of the same lens. You can easily keep moving subjects in focus by gently adjusting the focus ring and following through as the subjects move. It opens up to f1.2 and has a great sharpness wide open. This site uses Akismet to reduce spam. It means that you can zoom in and pull focus seeing better the detail and then zoom out and frame the shot. It’s noted as the maximum width to which it can open. Plus, few adapters allow for digital communication between the camera and the lens. Better brand recognition, rental and resale value. 28mm normally translates to 56mm in 2x anamorphic, In APS-C mode, 28mm becomes a 42mm equivalent. The iris also influences the appearance of bokeh — or blur— in your image. The a7 III, a7S II and a7S II only allow for 16:9, so a 2x squeeze will result in an aspect ratio of 3.55:1, and you’ll be forced to chop off the sides to get 2.39:1. Sigma seems to have focused purely on Sony and Leica when it comes to mirrorless mount compatibility, but they may soon have more options. Lenses are key to making your favorite camera create the images you envision. The lenses are designed for APS-C/Super 35mm cameras. A lens that has an F-stop of f/1.2 might have a T-stop of t/1.4, representing a .2 loss of light. Ask yourself: Will you buy the 28-135mm cine zoom (B&H, Amazon) if there were other options available? Powered by PerimeterX , Inc. Javascript is disabled or blocked by an extension (ad blockers for example). Not only is it versatile, but it has been field tested by rental houses over many years, and have worldwide sales and service. Whether you’re buying your first or your twentieth lens, it’s important to know exactly what you’re looking. Focal length is usually the first number denoted in a lens description and is measured in millimeters. The lens features a minimum focus distance of 7.5 inches and max magnification of 0.2 times. It seems unlikely that any manufacturer will make great cine lenses in the sub-$1,000 price range, so the next best option is to modify a still lens for cinema work. Should you stick to the Sony E mount, or should you opt for a better mount? Click here to read my comparison of full frame lenses for large format sensors. Some lens mounts pair exclusively with cameras from the same manufacturer, but you’ll encounter cinema cameras using the EF mount, for instance, even outside of the Canon ecosystem. This feature makes cine zoom designs much more complex and expensive to manufacture. While it is definitely a handy feature, it doesn’t replace a steadicam or gimbal. Hope you found it useful! Zoom lenses come in two varieties: internal zooming and external zooming. Claim your copy of DAVINCI RESOLVE 16 - SIMPLIFIED COURSE with 50% off! What does that mean? Zoom lenses with a constant aperture are easier to work with, but they typically come at a higher cost. That saves a lot of time on set. There’s a slight difference in color and contrast between the 16mm and 25mm, with the 16mm favoring more punchy, bluish tones and the 25mm favoring more neutral, greenish tones. Primes are okay, but not for handholding. By being informed and aware of the options, you’ll be able to find a lens that suits your needs. There is some rather large vignetting, so keep this in mind. When we say ‘Cine’ lens, its mostly understood we are speaking about manual lenses. There are other cinema lenses that are half the price of the Irix Cine Lenses. The aperture and angle are really nice for filmmaking and travel videos, but also great for photography. The set is available in Sony E, Micro Four-Thirds, and X lens mounts and are currently available in focal lengths of 16mm and 25mm. Required fields are marked *. These are the best lenses available today. All of the Sigma art lenses are really fast, and because of this you can achieve really shallow depth of field. This lens isn’t cheap but its robust, weather-sealed construction makes this a solid investment for the discerning photographer. It may be a little on the heavy side tough compared to the body you’re attaching it to. If you lose digital communication, you lose the ability to autofocus. This is one of the best zoom lenses Sigma has to offer. Which brings us to the Sigma mirrorless options…. Key advantages: For run-and-gun work and if you don’t have any options this zoom is a great all-rounder. An additional support for heavy lenses so the E-mount isn’t taxed. These cookies will be stored in your browser only with your consent. So, it seems there are plenty of options in the market both used and new for this camera and in all the price range. Unlike F-stops, T-stops represent how much light hits the sensor rather than how wide the aperture is. When choosing Sigma camera lenses, make sure to select the appropriate mount type for your specific camera. Plus Irix Cine Lenses are available in most of the major mounts like EF, E, MFT and PL. Sony has a limited number of lens options, which is why many Sony users will often bridge the gap with Sigma lenses both for A mount and E mount. They feature a front diameter of 95mm, which is smaller than traditional cine lenses (114mm). This is a really sharp lens that works really well for portrait photography, but also as a nice filmmaking lens for telephoto uses. Sigma lenses are some of the best options for popular camera brands including Canon, Nikon, Sony, Pentax, Leica, and cine options. Which Sony A7S III Video Mode Looks Best? They can be found for almost any combination of mounts. line offers the most focal lengths, if you want the entire range, that is. Seems like a perfect lens once you factor in the IS, but be warned, the focus mechanism is not very manual friendly. For one, they often have a more robust build and lower tolerance for variation in their specs. However, where these fall short are they are not all the same length, size or weight, which cine lenses are supposed to be. This versatile, high-speed zoom lens may not be as refined as pricier options but there isn’t anything they can do that the Tamron 28-75mm F/2.8 can’t. They’re designed with full-frame cameras, covering the full sensor. It costs about $1,650 for the set. Here are its advantages over the Samyang cine lenses: For those who don’t know, DS lenses are rehoused Rokinon primes with the focus and iris rings all at the exact same distance, so you don’t have to change follow focus or iris gears with every lens change. In total, the lens weighs just 13.2 oz (373g). As the shippings start to come in, the Blackmagic Pocket Cinema Camera 4K seems to be all the rage now. From backwards-talking aliens to ... igma has been a top camera lens brand for years, so we thought it’d be helpful to put together a list of the best Sigma camera lenses for all of the top brands like Canon, Nikon, Sony, and cine cameras as well. We also use third-party cookies that help us analyze and understand how you use this website.

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