Peter Pan is a 2003 fantasy adventure film released by Universal Pictures, Columbia Pictures, and Revolution Studios. Brenon, Herbert dir. . Een complex harnas was speciaal gemaakt om de acteurs in de lucht te laten vliegen voor de vele vliegscènes in de film. Kommentare zu Peter Pan werden geladen... Pirates of the Caribbean - Fluch der Karibik 2, Pirates of the Caribbean - Am Ende der Welt, Pirates of the Caribbean - Fremde Gezeiten, Harry Potter und die Kammer des Schreckens, Die Chroniken von Narnia - Der König von Narnia, Harry Potter und der Gefangene von Askaban, Steht euer VORNAME auch auf dieser Liste? Paris : L’Harmattan, 1998. Barrie, James Matthew. This efficiently summarizes the treatment Walt Disney and his animators had in store for the character of Hook20. 4I will start with an overview of the visual aspects of Spielberg’s Hook, a film which received mixed reviews from the press. Als sie versucht, mit Peter darüber zu reden, wird er wütend und lässt sie alleine stehen. In traditional drama, it would have been considered a transgression of decorum although it was not unusual: in Shakespeare’s plays, for instance, characters were often ferociously amputated or slain on stage. Hij vliegt naar het schip van Kapitein Haak (Jason Isaacs), de Jolly Roger, waar hij een gevecht aangaat met zijn aartsvijand. Academic Research Library Proquest Mar. Im Nimmerland angekommen spielt Wendy die Mutter für die verlorenen Jungs. Paris : A-G Nizet, 1952. Besides, J.M. The other locations in Neverland look just as artificial: the forest where the Lost Boys live; the circuit they arrange to train Peter Banning, with its cardboard and plaster rocks; or even the small pool which contains the underwater world of the mermaids10. The crowd takes up the robust chant like a Jerry Springer audience: 'Hook. Almost nothing about this man seems to have very much to do with flesh […]. 2Eighty years later, in 2004, director Marc Forster released a film on J.M. Nevins, Debby. At the end of the scene, Sylvia walks into the magical world her garden has become, and the director uses this moment metaphorically to suggest her death. . Hence, through this “mise en scene” which merges camera movements, actors’ direction, settings and costumes, Spielberg builds up an atmosphere which reminds us of drama without neglecting the specificities of cinema. In 1924, as J.M. During these one hundred years, Barrie’s original play went through many interpretations, during the author’s lifetime and especially after his death. Company Credits Props are important, as signaled by the close up on Smee’s clock, but also the captain’s never-seen-before cumbersome leather and metal shoulder contraption on which is eventually affixed and screwed the legendary hook. London: Peter Davies, 1954. Le scénario est basé sur la pièce de théâtre et le roman Peter et Wendy (dont le titre complet est Peter Pan, ou le garçon qui ne voulait pas grandir), de l'écrivain écossais J. M. Barrie.. Hook wird schließlich von dem Krokodil verschluckt, das bereits seine Hand gefressen hat. It was the first authorised and faithful film … Hierdoor zijn de elfjes die in de film verschijnen echte acteurs die in de film zijn verwerkt met de computer. Obwohl Wendy Peter nur kurz gesehen hat, ist sie fasziniert von dem Jungen, der obendrein noch fliegen kann. Il est une adaptation libre de l’œuvre créée par J. M. Barrie au début du XXe siècle racontant l'histoire de Peter Pan. Perf. He is put in a situation very similar to the monologue or the aside in drama when the actor’s lines are addressed to himself or the audience rather than the other characters. But there is also a very perceptible sense of tradition in all the films. The director, while describing the state of mind required to enjoy properly his film, implicitly alludes to the more general concept of “suspension of disbelief” which was already at the center of the English poet Samuel T. Coleridge’s attention as soon as the beginning of the 19th century. This sequence points at the essential role scenery or setting plays in the creation of illusion, insofar as spectators collaborate by suspending their disbelief. Der Film erhielt 2004 zwei Nominierungen für den Visual Effects Society Award und eine für den Broadcast Film Critics Association Award. It has to be slapstick, bump-your-head, fall down, sees stars19”. Indeed, for the creator of Peter Pan, the then revolutionary medium of cinema should have been able to project his fairy tale still further into a world of magic and illusion: he thought that the flying sequence and Never Land, in particular, deserved to be depicted more vividly. He is never more sinister than when he is most polite, and the elegance of his diction, the distinction of his demeanour, show him one of a different class from his crew, a solitary among uncultured companions […]. Jason Isaacs speelt de rol van Kapitein Haak en van George Darling, terwijl Jeremy Sumpter de rol van Peter Pan vertolkte. In the novel, J.M Barrie elaborates on each pirate, giving them a background and a few striking features. While his crew of pirates is hauling a chest, Hook comes out from behind the crest of a hill, strides into the frame, and scatters them. Es kostete ihn Monate hartes Training (inklusive Fechtstunden) bis er der Rolle auch sportlich gerecht wurde; um „fliegen“ zu können (d. h. stundenlang an einem Drahtseil zu hängen), brauchte er kräftige Rückenmuskeln. “Peter Pan Across Time: From the Page to the Big Screen”, Writing, Oct 2004; 27, 2; Academic Research Library Proquest Mar. Peter Hollindale.Oxford: Oxford World's Classics, 2006) XVIII. Once again, the border between fantasy and reality is blurred and so is the distinction between cinematic resources and more modest theatrical ones. Doch sie hat noch einen weiteren Zuhörer: Peter Pan, der Junge, der niemals erwachsen wird. and Friedman Lester D., Second Star to the Right: Peter Pan in the Popular Imagination. Left arm bare and adorned with a tattoo of Eton’s coat of arms […], he slowly rises and speaks: “I was dreaming, Smee, of Pan. Darling, while Jeremy Sumpter plays Peter Pan, Rachel Hurd-Wood plays Wendy Darling, and Ludivine Sagnier plays Tinker Bell. Lorsque Rooney Mara est choisie pour incarner Lily la tigresse[7], cela engendre une controverse en raison du choix d'une actrice caucasienne alors que le personnage est traditionnellement dépeint comme une Nord-Amérindienne [8]. In Brenon’s silent film, the Captain’s entry is undeniably less prolonged and elaborated but it is the only cinematic version in which, respectfully to Barrie’s text, the character does not first appear on his boat but ashore. I give you CAPTAIN JAMES HOOOOOK!' An inter title indicates: “Everyone shudders at the approach of Captain Hook” and the actor Ernest Torrence17 brandishes his hook, starting to recount how he lost his hand to the scoundrel Peter Pan. He symbolically dresses Peter Banning’s son Jack exactly like himself when he holds him under his influence and yearns to become a father-like figure. In seiner Ehre gekränkt, beschließt Mr. . is a charming but heavily fictionalized concoction, playing fast-and-loose with, Eighty years later, in 2004, director Marc Forster released a film on J.M. Similarly, Cyrille Bossy claims that Spielberg’s film successfully achieved such an aesthetic: “Si Hook ne renie pas l’origine théâtrale du matériau, il n’en demeure en effet pas moins préoccupé par une mise en scène purement cinématographique…7”. “Mr. Then his mood seems to change on a dime when he thinks about his other enemy, the crocodile. Scott, A.O.“Even in Fabled Neverland, A World of Contradictions”, The New York Times (Late Edition (East Coast)). 8The opulent baroque set of the pirates’ harbor8, for example, illustrates well the old-fashioned atmosphere the director tried to evoke. The effect is like an entertainment park where each attraction is supposed to isolate you in a different world, even though it belongs to a larger environment. Jeremy Sumpter gewann 2004 den Saturn Award. This fascinating setting is conspicuously fake, but it is also animated, given life by special effects and the use of real water thrown on the deck. Il est une adaptation libre de l’œuvre créée par J. M. Barrie au début du XX e siècle racontant l'histoire de Peter Pan Synopsis. I personally find it very striking that all the adaptations retain something of the dramatic origins of, : Brenon, who was very meticulous about respecting the dialogue and smallest details; Disney which created its most manic villain; but also Spielberg with his old-fashioned garish sets; and finally Hogan who, despite all the modern resources at his disposal, decided to opt for a conspicuously artificially lit Neverland and interpreted the histrionic character of Hook as excessive in his violence and perversity. En décembre 2013, Warner Bros. déclare avoir acheté le script et annonce une sortie pour le 26 juin 2015, avec Joe Wright comme réalisateur[5]. Dennoch hat Wendy ihn zum Nachdenken angeregt. Diese Seite wurde zuletzt am 3. I mean there are certainly things that are fantasies, but I’m kind of hoping that at least some of that appear just to be part of the movie. Tristar Pictures, 1991. The stress is put on the exuberance of Hook’s personality and his eccentricity, in situations of danger that are visually artificial and unrealistic: the Captain’s somersaults in the air which defy the law of gravity, the way he jumps out of the animal gaping jaws. In those instances, the identity of the filmic medium is not threatened since the theatrical burden is skillfully combined with cinematographic techniques. » White xii. Another example from this latest cinematographic adaptation is the image of Peter lying against a statue during the fight which takes place in Marooner’s Rock. Hook. Miramax Film, 2004. I personally find it very striking that all the adaptations retain something of the dramatic origins of Peter Pan: Brenon, who was very meticulous about respecting the dialogue and smallest details; Disney which created its most manic villain; but also Spielberg with his old-fashioned garish sets; and finally Hogan who, despite all the modern resources at his disposal, decided to opt for a conspicuously artificially lit Neverland and interpreted the histrionic character of Hook as excessive in his violence and perversity. It has to be slapstick, bump-your-head, fall down, sees stars, ”. But there is also a very perceptible sense of tradition in all the films. It is epitomized in the opening of. Universal Studio, 2003. These distortions of reality and caricatural visions of life which rely on an aesthetic of excess echo some aspects of the dramatic tradition. For instance, to underscore fantasy visually, Hogan and his design team purposefully worked with blue colors and lights which give the film an artificial atmosphere, . Paris: Bréal, 2004. The same applied to the following quotations. » Andrew Birkins, « Peter Pan and his Creator » http://www.jmbarrie.co.uk/boycastaways/ab_on_JMB_RSC.html . Roman, théâtre, cinéma – Adaptations, hybridations et dialogues des arts. Actually, in this sequence, the pirates resemble an audience and Peter an actor putting on costumes and adopting new gestures so he will not be identify as an intruder. » Donna R. Whie and Anita C. Tarr and. 2 As quoted by Roger Lancelyn Green in Fifty Years of Peter Pan (London: Peter Davies, 1954) 170. 17In Disney’s animated film, Captain Hook looks more like a dandy buffoon than a comic character which encompasses subtle elements of pathos. Peter Pan. Peter Pan is a 1953 American animated musical fantasy adventure-drama produced by Walt Disney Productions and was based on the 1904 play Peter Pan, or The Boy Who Wouldn't Grow Up by J. M. Barrie. Barrie. Disney Pictures, 1953. Godard, Jean-Pierre.“Hook”, in a Chapter extracted from his Book Steven Spielberg, Mythes & Chaos. Costumes and make-up are essential to Hook and his court: pirates wear earrings and cutlasses, brightly colored sashes and blunderbusses, ponytails and pistols. When she notices Smee, she screams with excitement and the camera subsequently reveals three other prostitutes bowing and repeating his name, while a group of drunken sailors play instruments.

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